And then still I would work mainly by ear. It's much better, in practice, to say 'I need this track as loud as x,y and z tracks'. It's a misconception to work to a specific LUFS because it will heavily depend upon the internal dynamics of the particular track/song as to what the LUFS comes out as. You can have a track which registers -6 LUFS that may sound perceptibly the same as another track that registers -12 LUFS - it depends highly on the content of the music. If you rely on looking at LUFS levels you will still get wildly varying perceptive loudness levels. My point is that dynamic range varies wildly from track to track, song to song.
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